
Thursday, October 16, 8pm
Judson Church
55 Washington Square South
$15 / $10 students, seniors, EMF Subscribers
EMF commissioned six New York-based composers to create works for New York Soundscape. The goal in the commissions was to create a body of examples for others, not necessarily professionals, to follow. Richard Lainhart's audio-visual work Threshold, based on ambient sounds ion New York, was the first of the commissioned works to be presented at the festival. LoVid's solar-data driven Sunification, was the second.
↓ Concert program
Threshold .........................................................................................................
Richard Lainhart
Sunification (for Sync Armonica & solar sound) ....................................................................
LoVid
In Threshold, Richard Lainhart creates a soundscape by combining sounds.
"I recorded many ambient sounds in New York, among them the street traffic during a taxi ride from 53rd Street to 89th Street, the lobby of the Museum of Modern Art, the lobby of the Guggenheim Museum, a trash compacter around 55th Street, an air-conditioning compressor around 54th Street, an industrial document shredder on 87th Street, a floor buffer at MOMA, Olafur Elliason's New York Waterfall #4 at Pier 35, and the traffic beneath the FDR Drive at South Street. I then played my guitar and convoluted all of the the recorded ambient sounds with my guitar playing. The result is that the sounds are imposed on one another. You hear none of the sounds directly. What you hear is the interaction between me and my environment."
LoVid writes about Sunification:
"In a project called Bonding Energy, commissioned by Turbulence and launched in the fall of 2007, seven sculptural solar panel devices, called Sunsmiles, were distributed across New York State. These objects sent and still send information about levels of solar energy every ten minutes through the internet. The data is then recorded, processed and translated into an online animated visualization representing changing levels of light. We refer to the visualization as a sunscape.
For our performance at the Ear to the Earth festival, we will use the data recorded from New York CIty's sunscape over the past year to create sound that will be mixed and manipulated live with our homemade audio/video synthesizer that we call the SyncArmonica."