
Produced by
Electronic Music Foundation
Ear to the Earth 09
World premiere
A New York Soundscape commission
my eyes ... my ears .......................................................................O + A (Bruce Odland + Sam Auinger)
For electronics and field recordings of urban eco-systems
Performed by Bruce Odland and Sam Auinger
Excerpt from my eyes ... my ears ...
World premiere
A New York Soundscape commission
Ganging the Hook...............................................................................................................Elliott Sharp
For guitar, electronics, and Corlear’s Hook field recordings
Performed by Elliott Sharp

For more than 20 years, Bruce Odland and Sam Auinger (known as O + A) have maintained a transatlantic collaboration to create installations that change the way we hear and re-connect us to our environment. They are, as they describe their work, philosophers of modern life who think with their ears to develop a hearing perspective on what they refer to as "our visually insane culture".
In my eyes… my ears..., O + A took on the politics of the senses, exposing striking differences in the way our eyes and ears perceive space. According to Odland, "we are living in a world where our senses are niche-marketed, our ears colonized by i-pods. my eyes… my ears... explores the urban 'sonic commons', any space where people share an acoustic environment and hear the results of each other's activities, both intentional and unintentional." The live performance/installation helped audiences redefine the act of listening while re-connecting to an urban eco-system.
Field recordings gathered in New York City—for example Wall Street late at night, Washington Square at midday, a sidewalk cafe at breakfast time—were transformed and combined with re-tuned text and urban images to decipher the cognitive dissonance of New York City's sonic environment.
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In Ganging the Hook, Elliott Sharp performed with guitar and computer to explore the ambient sound of Corlear’s Hook, a neighborhood on the East River where he resides. He modulated the sounds to create something that was not quite guitar, not quite environmental noise, but a new and intertwined sonic reality.